CFP: Art Documentation (semiannual peer-reviewed journal of the Art Libraries Society of North America)
Editors are accepting articles for both the Fall 2009 and Spring 2010 issues of ART DOCUMENTATION, the semiannual peer-reviewed journal of the Art Libraries Society of North America. Articles should fall within the scope of art and architecture librarianship, visual resources curatorship, digital image management, technology related to the visual arts, art publishing, artists’ books, and related fields.
The deadline for the Fall 2009 issue is April 1, 2009; the deadline for the Spring 2010 issue is September 1, 2009. ART DOCUMENTATION contributor guidelines may be found at
http://www.arlisna.org/artdoc/contrib_guidelines.html.
Judy Dyki
Editor, ART DOCUMENTATION
Library Director, Cranbrook Academy of Art
39221 Woodward Avenue, Box 801
Bloomfield Hills, MI 48303-0801
248-645-3364 voice
248-645-3464 fax
jdyki@cranbrook.edu
Showing posts with label Artists. Show all posts
Showing posts with label Artists. Show all posts
Sunday, February 22, 2009
Tuesday, February 26, 2008
CFP: ASA 2008 Narrating the Local: Oral Histories, Ethnographies, and Artist Interviews
CFP: ASA 2008 Narrating the Local: Oral Histories, Ethnographies, and Artist Interviews
Call for Papers Date: March 10, 2008
We are seeking paper proposals for a proposed panel for the the ASA 2008 Visual and Performing Arts subtheme. The conference will take place in Chicago November 13-16, 2008.
This panel seeks to examine the relationship between the production of scholarly narratives and research methods making use of oral histories, ethnographies, and interviews. This paradigm has long been central to Africanist scholarship; in the case of scholarship on African cultural production for instance, local voices are the primary modes through which creative propositions come to be understood (despite claims about the death of the author and discussions around intentional fallacy). Our panel seeks to open up and grapple with this model by exploring the following lines of inquiry: How do individual histories and interviews figure into broader narratives about collective projects or institutions? How do the voices of cultural producers/artists factor into the scholarly representation of their works? How might we complicate the ways interviews serve as evidence substantiating various claims, as data to moor meaning, as a contestable object, and as performative interactions? How does ethnographic production center and de-center scholarly narratives? How do the processes and objectives of interviews relate to issues of representation and the creation of scholarly discourse? What role does audience/reception, local and/or global, play in the writing of these histories? How might interviews extend other discursive frames and theoretical orientations through which this production is understood?
Please submit paper proposals to Carol Magee (cmagee@email.unc.edu) and Joanna Grabski (grabski@denison.edu) March 10, 2008.
Carol Magee
University of North Carolina at Chapel Hill
cmagee@email.unc.edu
Joanna Grabski
Denison University
grabski@denison.edu
Email: cmagee@email.unc.edu
Call for Papers Date: March 10, 2008
We are seeking paper proposals for a proposed panel for the the ASA 2008 Visual and Performing Arts subtheme. The conference will take place in Chicago November 13-16, 2008.
This panel seeks to examine the relationship between the production of scholarly narratives and research methods making use of oral histories, ethnographies, and interviews. This paradigm has long been central to Africanist scholarship; in the case of scholarship on African cultural production for instance, local voices are the primary modes through which creative propositions come to be understood (despite claims about the death of the author and discussions around intentional fallacy). Our panel seeks to open up and grapple with this model by exploring the following lines of inquiry: How do individual histories and interviews figure into broader narratives about collective projects or institutions? How do the voices of cultural producers/artists factor into the scholarly representation of their works? How might we complicate the ways interviews serve as evidence substantiating various claims, as data to moor meaning, as a contestable object, and as performative interactions? How does ethnographic production center and de-center scholarly narratives? How do the processes and objectives of interviews relate to issues of representation and the creation of scholarly discourse? What role does audience/reception, local and/or global, play in the writing of these histories? How might interviews extend other discursive frames and theoretical orientations through which this production is understood?
Please submit paper proposals to Carol Magee (cmagee@email.unc.edu) and Joanna Grabski (grabski@denison.edu) March 10, 2008.
Carol Magee
University of North Carolina at Chapel Hill
cmagee@email.unc.edu
Joanna Grabski
Denison University
grabski@denison.edu
Email: cmagee@email.unc.edu
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